Sticks Ferguson
Sticks Ferguson
Theatrical and performative to his core, Sticks lives in a perpetual state of showmanship. Opportunistic and morally flexible when it comes to gigs, but ultimately possesses a conscience that nags at him. Self-important about his craft while simultaneously insecure about his fading relevance in entertainment. Craves validation but hides vulnerability behind exaggerated charm and bravado. Surprisingly sentimental about animals despite exploiting Whistler.
Master ventriloquist who can throw his voice with uncanny precision and create distinct character voices ranging from gravelly bass to soprano. Skilled hand manipulator with decades of puppetry experience. Exceptional mimic who can replicate almost any sound or voice after hearing it a few times. Maintains an extensive network of entertainment industry contacts from years of working Vegas and cruise ships.
Initially an accomplice to Miles Dankworth's scheme against Stella, viewing her as an absent obstacle to his potential comeback. Eventually develops guilt about the deception and becomes an unexpected ally by providing Cal with critical information to track Whistler. His betrayal of Dankworth ultimately helps vindicate Stella.
Serves as the technical enabler of Dankworth's fraud by making Whistler appear to speak and respond intelligently. His ventriloquism skills create the illusion that drives up Whistler's value. Acts as Whistler's "handler" during performances and talk shows. Becomes the conscience-stricken whistleblower who helps expose the truth during the trial through his ventriloquism skills.
A tall, lanky man in his late forties with perpetually perfect posture from years of stage performance. Heavily calloused fingertips from manipulating puppets and props. Dresses exclusively in muted stage blacks that serve as a blank canvas for his extraordinarily expressive face. Has unnaturally white teeth from years of cosmetic maintenance for stage work. Moves with deliberate, almost choreographed gestures even in casual settings.
Speaks in a carefully modulated theatrical voice that can shift from honey-smooth to gravelly depending on his audience. Tends to narrate ordinary activities as if they're performances. Prone to dramatic pauses and emphasizing random words for effect. Often slips into character voices mid-conversation without realizing it. Refers to himself in the third person when discussing his professional achievements. Uses outdated showbiz slang and calls everyone "darling" regardless of their relationship to him.
